I’ve come up to Liverpool to see my mum, and get a bit of culture – with or without the capital ‘C’. Every time I come back to Liverpool I encounter something that is invigorating and engaging. It’s far from a perfect place, but it’s got a lot more interesting in the last few years. We had lunch in the Everyman Bistro on Saturday, which was very nice, and I’m not surprised the design of the rebuilt Everyman has won awards. The café and the bistro feel very intimate and the food was simple, elegant and flavoursome. A simple menu that is done well rather than the over-extended trendy mixture of fusion foods that are done to death elsewhere.
On Saturday evening we spent a couple of hours in Sefton Park watching the Lantern Parade and the fireworks. It was great to see how enthusiastically these events are received in Liverpool, and the sense of involvement and participation that people give over to them. I’d heard that last years parade was engaging, so had high hopes for this year. Perhaps the timekeeping and the stewarding could be looked at, because there was a lot of people eager to see the performance, and it took a long time to get all the parade participants into the central arena, by which point many of the families with small kids had given up. A bit of narration would have helped as well. The PA was more than adequate, but encouraging people to spread around the arena would have taken some of the pressure off. But who doesn’t like fire and fireworks in the dark?
On a Sunday morning my mum always listens to BBC Radio Merseyside, which I detest, as Maurine Walsh presents her show like she is the Queen. However, we sat and chatted about why people like her? What she brings to the station and who she thinks she is talking to? And this got me thinking about the extent to which radio stations in Liverpool reflect the COOL agenda that is being developed in the city. COOL stands for Creative Organisations of Liverpool, and is group that brings together many of the established and the emerging creative projects, organisations and people across the city.
And so it struck me that with such as strong focus on creativity and performance in Liverpool, with music, literature, poetry, theatre, visual arts, film making, design and architecture, I don’t think Liverpool has any radio stations that do what ResonanceFM does in London, which is provide an independent and DIY focus for creative outlets and the arts using radio, with a continual discussion of arts, music, culture and performance for the generation of peoples who aren’t stereotyped by a reliance on nostalgia (BBC), football (Radio City) or double glazing sales (JuiceFM).I know very little about Liverpool’s community radio stations so I’m probably wrong in thinking that the arts aren’t discussed on the radio in Liverpool, but it’s just that there isn’t a station that is dedicated to it. There may well be people using radio as a creative medium itself, rather than thinking it is just a stepping stone to other things, or a way to provide a warm bath of nostalgia and self-affirmation, so I need pointing in the right direction if anyone has any examples they are happy to share
I’d be very interested in starting a discussion about how community radio can be developed around this idea of talking a leading cultural role, rather than just providing an echo-chamber for a fixed community. I would wonder if talking to the organisations that lead with COOL, the Arts Council, the city council, the other universities and colleges, the music promoters, and so on, might expand the purpose of radio from the very narrow model that we have in the UK?
I interviewed Ed Baxter at ResonanceFM the other year, and he’s much more interesting than the usual suspects in the commercial or BBC radio sector. He hates the whole corporate and consumerist culture that UK radio is locked in. I have two favourite stations at the moment. Campus Radio Montpellier and L’Echo in Montpellier. Find them both on Tune-In Radio to see how different a student/community stations can be from the UK variety. This is radio that is allowed space to breath and lets the listener come to it, rather than being shouted at by a bunch of ego-maniacs who want to tell you how wonderful they are. They are my favourite stations at the moment – even though I don’t understand a word of French!
I’m always struck when each time I return to Liverpool now how much the atmosphere has changed since I left in the late 1980s, and how much more open people are to creative arts, storytelling, musical diversity and so on. With a great tradition of writing, poetry, performance, acting, musical innovation, and all the rest. Community radio with a purpose to foster diversity, creativity and participation in DIY aural/music cultures would get me excited. No charts, no formulas, no fixed schedules, no corporate missions-plans…. (haha, I’d get eaten alive…).